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</script><h1>Friedrich Grützmacher</h1><div class="hd"><a href="http://nl.instr.scorser.com/C/Alle/Friedrich+Gr%c3%bctzmacher/Alle/Alphabeticly.html">Alle Composities</a></div><div class="clear10"></div><h2>Composities voor: Contrabas</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://nl.wikipedia.org/wiki/Friedrich_Grützmacher_(1832-1903)">Wikipedia</a><div class="p">Friedrich Wilhelm Ludwig Grützmacher (Dessau, 1 maart 1832 – Dresden, 23 februari 1903) was een Duitse cellist, een van de belangrijkste van het einde van de 19e eeuw. Hij is tegenwoordig vooral bekend door zijn romantische reconstructie van het celloconcert van Boccherini, die niet bij iedereen even geliefd is. Maar door zijn werk is ook een van de tegenwoordig beroemdste stukken voor de cello boven water gekomen.</div><div class="p">Grützmacher had een bewerking gemaakt van de toen nog onbekende Zes suites voor onbegeleide cello van <a href="http://nl.instr.scorser.com/C/Contrabas/Johann+Sebastian+Bach/Alle/Popularity.html">Johann Sebastian Bach</a>. Deze werd jaren later in een winkeltje door cellist Pau Casals gevonden die de stukken begon te studeren. Sindsdien zijn deze stukken steeds bekender geworden. Nu worden ze gerekend tot de beste stukken geschreven voor de cello.</div><div class="p">Verder heeft Grützmacher nog een aantal etudes geschreven.</div></body></html>