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</script><h1>Baude Cordier</h1><div class="hd"><a href="http://nl.instr.scorser.com/C/Alle/Baude+Cordier/Alle/Alphabeticly.html">Alle Composities</a></div><div class="clear10"></div><h2>Composities voor: Physharmonica</h2><div class="clear10"></div><div class="clear10"></div><script async src="https://pagead2.googlesyndication.com/pagead/js/adsbygoogle.js?client=ca-pub-7958472158675518"
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</script><div class="clear10"></div><div class="clear10"></div><a href="https://nl.wikipedia.org/wiki/Baude_Cordier">Wikipedia</a><div class="p">Baude Cordier (Reims, omstreeks 1380 - overleden voor 1440) was een Franse componist.</div><div class="p">Er is wel verondersteld dat Cordier het pseudoniem is van Baude Fresnel. De werken van Cordier worden beschouwd als de eerste voorbeelden van ars subtilior. Overeenkomstig deze stroming rode noten notatie, ook wel notenkleuring genoemd, een techniek uit de dagelijkse praktijk van zwarte mensurale notatie. De verandering van kleur geeft een wijziging aan in het ritme. (Deze muzikale stijl en de wijze van notatie wordt ook aangeduid als "maniërisme" en "gemanierde notatie".)</div><div class="p">Tien van de seculiere muziekwerken van Cordier zijn overgeleverd, waarvan de meeste zijn geschreven in de vorm van een rondo:</div><div class="p">Twee liederen van Baude Cordier bevinden zich in het Chantilly Codex en zijn bekende voorbeelden van ogenmuziek:</div><div class="p">Zijn meeste composities heeft Cordier geschreven in de nadien eenvoudiger vijftiende-eeuwse muzieknotatie.</div><div class="p">Uitvoering van Belle, Bonne, Sage</div></body></html>